Not so much that the fight isn't still a hard fight - it should be a hard fight - but just so that you couldn't be knocked completely on your back right away. "A lot of people were very frustrated due to a number of things: there's the lack of cover in that fight so you're constantly getting flanked her ability to almost immobilize you almost right off the bat," he said. As an example, Walters pointed to the fight against Asari Matriarch Benezia in Mass Effect 1. The extended cuts doubled down as though they tried to give greater detail to the ♥♥♥♥♥♥ ending they made rather than just admit what they did.Walters also confirmed to IGN that Mass Effect: Legendary Edition would not only include content added to the original games later via DLC, but would also include a few small, brand new tweaks to gameplay - specifically to certain boss fights that were unnecessarily frustrating for players. I'm sure it was EA who crushed the artistic integrity forcing a multiplayer no one wanted and taking away from development resources all so they can push microtransactions. Out of Casey Hudson's own mouth he described how intricate the ending would be based on all your decisions of the 3 games and not just pick ending A,B or C. That wasn't a case of artistic integrity and fans wanting it changed. I was one who REEE'd back then and continued even after the extended cut. I have to say that is a completely different scenario and one I think is specific to that case. I get you, but people literally went "Reeee" when ME3 came out until they changed the ending. Can't call them art when this ♥♥♥♥ gets pulled and people think it's ok. I really wish there was something similar for video games.
In movies, once a film is released it belongs to the audience and there are institutions that guard film preservation. It should be obvious but the team is gone, the new team is censoring other's work.
Originally posted by Gordikk:Could you imagine a celebrated film that years later gets a re-release by the studio with a new team that edits and censors for "modern times" and then have brain dead shills argue that the filmmaker has the right to make these changes.
0 kommentar(er)
